ARTIST REFERENCE: HENRY DARGER

 









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FINAL OUTCOMES

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 SET OF BEST OUTCOMES FOR EACH FILM This is my selection of final outcomes that I feel are the most successful and the ones that I love the most. I have selected a variety of foreign language poster variants too as the aesthetic produced is particularly exciting. I had a lot of fun using my language skills learnt in school to translate the original  titles of the films. I have also paid particularly close attention to the choice of typography and spacing between licensing, image and title - kerning. The tutorials with my tutor proved to be extremely valuable and the lessons learnt in them about poster design, kerning and composition have greatly helped me produce these posters.  In an ideal world I would have looked forward to printing each of these posters off using the high quality large format printers at Uni and hand in a set of high quality A2 and A1 prints on matt german etch paper (Hahnemule)  ALIEN CLOSE ENCOUNTERS OF THE THIRD KIND   ANNIHILATION  ...
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BLOG POST 2: BRIEF PLANS/PROPOSALS

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BRIEF 1 - INDIVIDUAL PROJECT: FILM POSTER PROJECT REQUIRMENTS:    For this film poster brief, I am interested in my personal experiences watching the films and want to challenge myself to illustrate and convey these feelings through print and drawing. - To develop posters for hand picked films of my choice - films with lots of visual information-  Films that I identify with on a personal level- have a close connection with; films I grew up on watching. Create my own print and poster project from 1st and 2nd year. - Films to respond to with poster work, printmaking, drawings that push me and provoke experimental printmaking and drawing.   Planner / Scheme of work   stage one  EXPERIMENTATION AND RESEARCH     - Collect screenshots and key visual inspiration from selected films for information to draw from.  - Visual notes - be very pro active with note taking for tutorials - write down all that Mack teaches in the tutorials. Read up, resea...
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BLOG POST 10: LARGE LIFE-DRAWING SIZE WORK FOR ANNIHILATION AND CLOSE ENCOUNTERS OF THE THIRD KIND

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  The feedback from my tutor Mack Manning encouraged me to use my drawings as final outcomes rather than view them as solely a medium for preliminary sketches and planning. This proved to be undeniably useful; not only in pushing me to make a novel body of mature and realised drawings but also in terms of boosting my confidence and belief in my technical drawing skills. I created an amalgam of large, A2 and A1 arm, elbow and wrist drawings making use of all my limbs and joints. In order to capture the essence of the physical process which comes with printmaking, for which I have a passion. I put all my effort and body into the drawings, inspired by the physically all-encompassing drawing methods taught by my tutor Mack Manning during life drawing classes in Years 1 and 2. JAKE AND DINOS CHAPMAN AS INSPIRATION FOR EXQUISITE CORPSE DRAWING EXPERIMENTATION.  EDVARD MUNCH - Figures stood resolute in front of a large expanse of forest/vegetation - reminiscent of scenes from Annihil...
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